arsRSS home ArsRSS read feeds

Database Search: 0.007566 seconds  ? 
1. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
2. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
3. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
4. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
5. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
6. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
10. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
17. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
18. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
19. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
20. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
21. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
22. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
23. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
24. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
25. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
26. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
27. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
28. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
32. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
39. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
40. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
41. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
42. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
43. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
44. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
45. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
46. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
47. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
48. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
49. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
50. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
54. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
61. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
62. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
63. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
64. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
65. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
66. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
67. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
68. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
69. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
70. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
71. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
72. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
76. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
83. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
84. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
85. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
86. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
87. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
88. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
89. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
90. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
91. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
92. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
93. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
94. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
98. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
105. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
106. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
107. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
108. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
109. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
110. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
111. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
112. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
113. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
114. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
115. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
116. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
120. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
127. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
128. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
129. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
130. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
131. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
132. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
133. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
134. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
135. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
136. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
137. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
138. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
142. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
149. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
150. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
151. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
152. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
153. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
154. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
155. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
156. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
157. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
158. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
159. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
160. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
164. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
171. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
172. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
173. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
174. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
175. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
176. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
177. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
178. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
179. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
180. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
181. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
182. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
186. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
193. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
194. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
195. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
196. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
197. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
198. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
199. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
200. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
201. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
202. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
203. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
204. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
208. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
215. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
216. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
217. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
218. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
219. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
220. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
221. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
222. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
223. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
224. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
225. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
226. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
230. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
237. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
238. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
239. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
240. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
241. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
242. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
243. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
244. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
245. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
246. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
247. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
248. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
252. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
259. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
260. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
261. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
262. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
263. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
264. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
265. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
266. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
267. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
268. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
269. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
270. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
274. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
281. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
282. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
283. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
284. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
285. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
286. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
287. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
288. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
289. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
290. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
291. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
292. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
296. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
303. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
304. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
305. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
306. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
307. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
308. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
309. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
310. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
311. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
312. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
313. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
314. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
318. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
325. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
326. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
327. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
328. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
329. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
330. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
331. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
332. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
333. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
334. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
335. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
336. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure
340. Source: Art Competitions provided by Artshow.com
Item: Beverly Hills Art Show - Beverly Hills, CA
$8,550 + Mayor's Purchase Award. Deadline: Aug 15, 2022
Enclosure
347. Source: Daily Campello Art News
Item: A 20 year old idea which is still hot!
Date: 27 July 2022, 4:07 am

Twenty years ago I proposed the below idea to kindle our Greater region's visual art scene -- the Universities have (so far) all ignored the idea (P.S. - note the quaint use of "slides" :-):

Merry Xmas!

As promised, the first one of ten steps (in no particular order or ranking) to kindle the District/Maryland/Virginia (DMV) art "buzz" into a roar:

Number 10

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return).

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the burocracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a burocracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.

Enclosure
348. Source: Daily Campello Art News
Item: Montgomery Art Association’s annual Paint the Town Labor Day Show
Date: 24 July 2022, 8:40 am

I am honored to serve as 2022 judge of one of the region’s largest and longest-running art shows over Labor Day Weekend: the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland

I will review more than 500 works in seven categories at the Montgomery Art Association’s annual Paint the Town Labor Day Show at the Historic Armory in Kensington, Maryland. I also will judge the one-day Kensington plein air painting competition and will present prizes at the September 3 reception.

The annual art show runs for three days—September 3-5—and features hundreds of pieces of artwork by member artists. Original paintings, drawings, sculptures, and photography—plus prints and notecards—will all be for sale. A portion of proceeds goes in support of MAA’s educational mission.

The show is accepting entries from artists 18 years or older in Maryland, Virginia, and DC. MAA annual membership is required to participate. In addition to the main show, MAA will host its annual plein air competition. Members, plus adults and children from the community, are invited to participate and have up to eight hours to complete a work within the boundaries of Kensington. Free for children and members, and $10 for non-member adults.

About MAA: The Montgomery Art Association (MAA) is a Maryland-based nonprofit membership group supporting the visual arts and artists in the DC area. A portion of sales goes to support our educational mission, including providing scholarships to art students. Learn more.

About the Show: The annual three-day Paint the Town Labor Day Show will take place at the Kensington Historic Armory, 3710 Mitchell St., Kensington, MD, September 3-5. The event is free and open to the public. The Town of Kensington is a proud sponsor.

Register here.

Enclosure
349. Source: Daily Campello Art News
Item: My picks for the current Art League show
Date: 20 July 2022, 12:47 am

An easy way to spend most of a summer rainy afternoon (and there are plenty of hem coming!) is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

If you’re a constant reader of this blog, then you know what comes next: The Campello awards!

Are you ready for a shock? I believe that for the first time since I’ve been messing around with re-jurying other jurors’ shows and awards (first time was around 1981), this is the FIRST time that I’ve agreed with the Best of Show!

Wendy Donahoe’s “Traveler”, a spectacular charcoal and carbon pencil drawing, is not only a superbly crafted technical masterpiece, but also a work that does something that a master like Donahoe does so simply: in this case capture the psychologic presence of the subject.  She nails it and do not be fooled by the simplicity of my words in describing her accomplishment with this piece. These are finely tuned and trained artistic muscles which Donahoe flexes so easily in this work and which are in reality impossibly difficult to deliver.

I also quite liked some of the Honorable Mentions, especially “Transposition” by Susan O'Neill, an elegant figure study employing charcoal, red chalk, and mixed media on paper.

Personally I would have given an award to “Art Lovers 1 - Picasso - Le Gourmet 0” by Leni Gurin, a very elegant Acrylic and a take off on the great Spanish master.  That painting is the steal of the show! At 14 × 78 × 11 inches, the cool painting by Leni Gurin is a steal at $900! Go buy it!

Traveler by Wendy Donahoe Drawing; charcoal & carbon pencil
Traveler by Wendy Donahoe

Transposition by Susan O'Neill Charcoal, red chalk, mixed media on paper
Transposition by Susan O'Neill

"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin
"Art Lovers 1 - Picasso - Le Gourmet 0" by Leni Gurin

Enclosure
350. Source: Daily Campello Art News
Item: 37TH Annual Mayor's Arts Awards
Date: 13 July 2022, 4:46 am

The 37TH Annual DC Mayor's Arts Awards will take place in September 2022! 

Please visit www.dcmayorsartsawards.com for more information and to RSVP -- Click here to create an account and to vote!

Enclosure
351. Source: Daily Campello Art News
Item: Opportunity for DMV artists
Date: 10 July 2022, 4:18 am

Art Maryland 2022

Deadline: August 1

Art Maryland is a biennial survey show of artists in Maryland and the surrounding areas (specifically, artists living or working within 100 miles of the Center, including Washington, DC and parts of Virginia, Delaware and Pennsylvania).

All artists, 18 years or older, residing in Maryland or within a 100-mile radius of Ellicott City, Maryland, and working in any medium are invited to submit up to three artworks for consideration for the exhibit Art Maryland 2022. 

Entries must have been completed in the last two years and can not have been previously exhibited in the Howard County Arts Council (HCAC) galleries.

Visit HCAC's application portal to apply.

Enclosure
352. Source: Daily Campello Art News
Item: I will judge this year’s "Paint the Town" Labor Day Show
Date: 26 June 2022, 5:11 pm

It will be soon announced that yours truly will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards

"Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

TUESDAY, SEPTEMBER 6: Pick up purchased artwork, 9-11 a.m. 

Enclosure